FORMULATION OF ARTIST PAINT

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ABSTRACT
This study was carried out principally for the formulation of artist paint using available raw materials. Paint simplified is a material which may be applied to surfaces in relatively thin layers and which changes to a solid and may occur by evaporation of solvents, by chemical reaction or by combination of the two. Artist paint is the paint used by artists to do their paintings. These paints comprises of the water color paint, poster color paint, oil paint, acrylic paint and so on. The method generally used in this work was first, the collection of pigment of different colors, grinding the gypsum and then mixing of the substances. After which the substances was thoroughly stirred for proper mixture and so as to obtain finely non-granulled paint. The product is much highly efficient than individual paints. And it is cheaper to operate from this project. It is quite possible to harness our natural endowment that will compete prodigiously with one produced abroad, hence, our artists will do her expensive painting and the need to import artist’s paints will be avoided.

TABLE OF CONTENTS
CHAPTER ONE
1.0 Introduction
1.1 Properties of Artist Paint
1.2 Aim and Objective
1.3 Statement of Problem
1.4 Justification of Study
1.5 Limitation of the Study
CHAPTER TWO
2.0 Literature Review
2.1 Kinds of Artist Paint
2.2 Properties of the Backbone Composition of Artist Paint
2.3 The Backbone Composition
2.4 The Characteristics Features of the Backbone Composition of Artist Paint
2.5 Principles Guiding an Effective Artist Paint Formulation
CHAPTER THREE
3.0 Methodology
3.1 Raw Materials and Equipment
3.2 Formulation
3.3 Percentage Measurement of Materials Used
CHAPTER FOUR
4.0 Results/Discussion
4.1 Results
4.2 Discussion
4.3 Observations
CHAPTER FIVE
5.0 Conclusion and Recommendation
5.1 Conclusion
5.2 Recommendation
5.3 Reference

TABLE OF FIGURES
Fig Pages
CHAPTER ONE

1.0 INTRODUCTION

Paints usually consists of finely powdered insoluble materials, chiefly pigments, (which contributes opacity, color, and hardness and bulk to the film, suspended in a liquid binding medium known as a vehicle or binder, and a solvent or thinner which controls the consistency.

1.1 PROPERTIES OF ARTIST PAINT
Artist paints, water color in particular are made by grinding in a gum Arabic binding medium, together with certain necessary modifying ingredients. Clycerine and honey or sugar syrup (plasticizers) are often added in order to keep the colors from becoming mouldy and a wetting agent (such as ox gall) to make the colors “ take” well and spread uniformly on the paper. The proposition of the binder to the pigment is carefully balanced to give the pain, the exact correct properties. Upon application of the paints, the tiny grains of pigment become embedded in the coarse meshes of the paper, and this action is of as much importance in holding the color to the paper as he adhesive action of the gum binder.
The careful balance of the modifying ingredients in artist paint is necessary not only to give the correct working properties, but to ensure the proper balance of solubility that is the dried layer of a good artist paint must be sufficiently resistant so that subsequent brush strokes will not pick it up. On the other hand, the paint should not be so insoluble that one can not soften or run into it. Acqueous paints contain much less surplus binder. Unlike oil paint, the bulk of the paint – the water –evaporates completely on drying, leaving the pigment particles exposed partially to the air. This is not only causes brightness of lives and a mathe effect, but also eliminate a good many ill to which improperly painted oils are subject. However to achieve a performance a different set of precaution is necessary, because the colors are inherently less resistant to atmospheric conditions.
Water colors paintings leaves a very thin layer of pigment particles sufficiently held together to be a permanent coating. This thin layer or film, in contrast to the heavy of oil paint’s defects, such as cracking, peeling or blistering even so watercolors can be just oils if properly preserved.
In other to produced artist paint, many factors need to be considered.
They include;
– composition
– condition of watercolor paint in the container
– viscosity
– opacity and spreading rate
– drying time
– Fastness to light i.e. the paint shall have little or no color change.
– Financers of curing i.e. when tested using “Hegman lange”, the paint shall be finely ground to a max of less than 10 mirons (-10um)
– Bend tester: when tested the paint film shall not show cracking or loss of adusion.
– Resistant to mould, insects.
The artists paint has to be formulated such that its composition has to be one that performs its specific functions under the stated condition.
1.2 AIM AND OBJECTIVE
This work is aimed at developing an economic and indigenous way of producing artist paint using local /available raw materials in